2020 In the World: Beyond The English-Speaking West. In Moore, Allan and Carr, Paul (eds), The Bloomsbury Handbook of Rock Music Research. New York: Bloomsbury, pp.559-570
2020 The Condition of Cultural Cosmopolitanism. In Cicchelli, Vincenzo, Octobre, Sylvie and Riegel, Viviane (eds), Aesthetic Cosmopolitanism in a Global World. Leiden: Brill, pp. 27-45
2019 Postlude: World Culture after Cultural Globalization. Poetics 75
2019 Pop-Rock, Cultural Cosmopolitanism and the Global Cultural Market of Youth Identities. Youth and Globalization 1: 88-106
2019 Musical Cosmopolitanism, Bodies and Aesthetic Cultures. In: Smudits, Alfred (ed), Roads to Music Sociology. Wiesbaden: Springer VS, pp. 79-94
2017 Pop-Rock as Musical Cosmopolitanism, Journal of World Popular Music 4: 290-300
2017 Elor, Tamar and Regev, Motti. The Making of Israeli Style 1967-1973. In Israeli Society 1967-1977: New Readings (Iyunim Bitkumat Israel Thematic Series no.11), edited by Ofer Schiff and Aviva Halamish. Beer-Sheva: The Ben Gurion Research Institute for the Study of Israel and Zionism, pp. 308-333 (in Hebrew)
edited by Andy Bennett and Steve Waksman. London: Sage, pp. 33-47
2014 "Electric Guitars, Aesthetic Cosmopolitanism and Cultural Uniqueness in Israel," in Music in Israel (Iyunim Bitkumat Israel Thematic Series no.8), edited by Tuvia Friling, Gideon Katz and Michael Wolpe. Sede Boker: The Ben Gurion Research Institute for the Study of Israel and Zionism, pp. 29-49 (in Hebrew)
2011 "International Festivals in a Small Country: Rites of Recognition and Cosmopolitanism," in Festivals and the Cultural Public Sphere, edited by Gerard Delanty, Liana Giorgi and Monica Sassateli . London: Routledge, pp. 108-124
2011 "Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic and the Cosmopolitan in Popular Music," American Behavioral Scientist 55: 558-573
2009 "Internet and Globalization," by Lior Gelerenter and Motti Regev, The Handbook of Globalization Studies, edited by Bryan Turner. London: Routledge, pp. 62-76
2008 "Pop-Rock Music: Knowledge Community, File Sharing and Global Microstructure,"Revista Iberoamericana de Comunicación 14: 63-75 (Mexico)
2007a "Cultural Uniqueness and Aesthetic Cosmopolitanism," European Journal of Social Theory 10: 123-138
2007b "Popular Culture," in New Jewish Time: Jewish Culture in a Secular Age, edited by Yirmiyahu Yovel and David Shaham. Tel Aviv: Keter, Volume 3 (Dan Miron and Hanan Hever, eds.), pp. 281-283 (in Hebrew)
2007c "Ethno-National Pop-Rock Music: Aesthetic Cosmopolitanism Made From Within," Cultural Sociology 1: 317-341
2006a "Cultural Capital," in In/Equality, edited by Uri Ram and Nitza Berkovitch. Beer Sheva: Ben Gurion University Press, pp. 133-139 (in Hebrew)
2006b "Introduction," to the special issue on "canonization and cultural capital," of Popular Music 25(1): 1-2
2006c Guest Editor, special issue of Popular Music 25(1) on "canonization and cultural capital"
2006d "Electricity, Amplification, Voice and Recording: 'Israeli Song' and the Rock Aesthetic." Jerusalem Studies in Hebrew Literature XX: 87-93 (in Hebrew).
2006e "Rock Aesthetics and Musics of the World." [Abridged version of 1997b], in The Rock History Reader, edted by Theodor Cateforis. London: Routledge. Pp.303-308
2005 "Israel," "Tel Aviv" and "Jerusalem" in EPMOW, The Continuum Encyclopedia of Popular Music of the World (vol. VI: Africa and the Middle East), edited by John Shepherd, David Horn and Dave Laing. London: Continuum
2004a "Rock Aesthetics, Israeliness and Globalization," in Israelis in Conflict: Hegemonies, Identities, and Challenges, edited by: Adriana Kemp, Uri Ram, David Newman, and Oren Yiftachel. Sussex University Press, pp.188-200
2004b "Rock Aesthetics and Musics of the World," [Reprint of 1997b] in Popular Music: Critical Concepts in Media and Cultural Studies, edited by Simon Frith. Volume 2: The Rock Era, pp.125-142. London: Routledge.
2003a "Introduction to Israeli Culture," in Trends in Israeli Society, edited by Ephraim Ya'ar and Zeev Shavit. Tel-Aviv: Open University Press, pp.823-898 (in Hebrew)
2003b "Cultural Uniqueness and Connectivity in Late Modernity: The Case of Popular Music," Teoria ve-Bikoret 23: 115-140 (in Hebrew)
2003c "Keisar studios" and "Triton studios" in EPMOW, The Continuum Encyclopedia of Popular Music of the World (vol. I: Media, Industry and Society), edited by John Shepherd, David Horn and Dave Laing. London: Continuum
2003d "'Rockization': Diversity within Similarity in World Popular Music," in Global America? The Cultural Consequences of Globalization, edited by Ulrich Beck, Natan Sznaider and Rainer Winter. University of Liverpool Press, pp. 222-234
2003e "Rock Aesthetics and Musics of the World," [Reprint of 1997b] in Globalization: Key Concepts in Sociology, edited by Roland Robertson and Kathleen E. White. Routledge, pp. 212-230
2002a "The 'Pop-Rockization' of Popular Music," in Studies in Popular Music, edited by Dave Hesmondhalgh and Keith Negus. London: Arnold; New York: Oxford University Press, pp.251-264
2002b "'Alles Rock': Vielfalt und Ähnlichkeit im Bereich der globalen Popmusik," in Globales Amerika? Die Kulturellen Folgen der Globalisierung, edited by Ulrich Beck, Natan Sznaider and Rainer Winter. Transcript. pp.284-299. [German translation of 2003d]
2001"Einstein, Arik," "Kaveret," "Poliker, Yehuda," in The New Grove Dictionary of Music and Musicians, edited by S. Sadie and J. Tyrrell. London: Macmillan
2000a "To Have a Culture of our own: On Israeliness and its Variants." Ethnic and Racial Studies 23: 223-247
2000b “Popular Music in Israel: A General Review,” in Pluralism in Israeli Society, edited by Yaakov Kopp. Jerusalem: The Centre for the Study of Social Policy in Israel. pp. 199-212 (in Hebrew)
1999a "Popular Music: Scenes, Identities and Cultural Capital," in Musical Visions, edited by Gerry Bloustein. Kent Town (South Australia): Wakefield Press. pp.115-119
1999b "’The Orange Season is Over’: Israeli Rock in the 1970’s," in Fifty to Forty Eight: Critical Moments in the History of the State of Israel, edited by Adi Ophir. Jerusalem: The Van Leer Institute. pp.251-259 (in Hebrew)
1997a "Who does what with Music Videos in Israel." Poetics 25:225-240
1997b "Rock Aesthetics and Musics of the World." Theory, Culture and Society 14:125-142.
1997c "Organizational Fluency, Organizational Blocks, Cultural Relevance: The Case of the Music Industry in Israel." Teoria ve-Bikoret 10:115-132 (in Hebrew)
1996 "Musica Mizrakhit, Israeli Rock and National Culture in Israel." Popular Music 15:275-284
1995 "Present Absentee: Arab Music in Israeli Culture." Public Culture 7:433-445
1994 "Producing Artistic Value: The Case of Rock Music." The Sociological Quarterly 35:85-102
1992a "Popular Music Studies: The Issue of Musical Value." Tracking (Journal of Popular Music Studies) 4:22-27
1992b "Israeli Rock or, A Study in the Politics of 'Local Authenticity'." Popular Music 11:1-14
1989a "The Field of Popular Music in Israel," in World Music, Politics & Social Change, edited by Simon Frith. Manchester: Manchester University Press. pp. 143-155
1989b "L'ambiente come luogo di contesta tra I diversi generi musicali: 'Musica orientale' e musica leggera israeliana a confronto" in Fabbri, F. (ed.), Musiche/realta, Milano: edizioni unicopli. pp.427-442 [Italian translation of 1986]
1986 "The Musical Soundscape as a Contest Area:'Oriental Music' and Israeli Popular Music." Media, Culture & Society 8:343-356